The ongoing wavelength photo-installation arises from the photographing of details, constellations of objects, shapes, patterns, situations and places in everyday reality that evoke a moment of wonder, connection or alienation in me. Images to which I can connect a certain thought, idea or inner state of being.

My work area extends from the immediate domestic outdoor environment to urban fringes and less inhabited outdoor areas where the layout of the living environment is less orderly and the way of life becomes more autonomous. These fringes often present a fascinating variety of casual, inemphatic scenes and seemingly insignificant traces of human presence that can suddenly become meaningful within a photographic ‘zoom in’ and framing.

I research these environments with an attentive, open-minded look and without a preconceived idea of what I want to photograph. While walking and exploring I intuitively photograph everything that stirs me emotionally, intellectually, aesthetically or evokes my musical imagination.

The photos taken are stored in a digital archive from which the most intriguing, evocative images are selected at longer intervals and added to the existing series of ‘wavelength’ photos.

In presenting the photos – instead of isolating and emphasizing individual images – my main concern is the mutual contrasts and similarities between the individual images and the overall image of the installation as a continuous, dynamic stream of images within which constantly new spaces can arise for new visual cues, associations and ideas.

The photo installation can also be seen as a visual, photographic score that appeals to the musical imagination and invites and encourages the viewer to look in a playful, associative and ‘listening’ way, both within the context of the artwork and within their own daily environment.